What Is Your CALLING?


“Listen (doo dah doo)

Do you want to hear a secret? (doo dah doo)

Let me whisper in your ear (da di dah dah)”… (McCartney and Lennon)

Your Vocation Is:  _______________

So, what is it for you? What is your greatest CALLING in this lifetime so far?  Are you a Writer, an Artist, a Dancer, a Musician, an Actor, a Scientist, or an Athlete? What activity or “hobby” are you most passionate about? What lights you up and grounds or centers you in your deepest sense of personal identity of Self and/or of Service?


Also then, WHY? What is it about your Calling, your Vocation, that resonates so deeply with the core of your Being? Is it what calls  you to Adventure or gives purpose and/or passion to your time on Earth?

Are you giving enough time and nourishment to your Calling? Or is it more in the background now for you? What qualities and Strengths has your vocation helped you to develop? How can you MAXIMIZE these Strengths in ALL you do?


As a personal example just to get YOU thinking or journaling about these questions, I am (though not currently practicing) “a Fencer.” (If you have ever fenced competitively or with any sport, you will understand immediately.)  Fencing taught me so much, trained my Mind/Body synchrony so deeply that every day I am grateful in some small way. If I slip or stumble physically (or otherwise!), I am grateful for having learned from fencing not only “how to fall” without overdue injury but also how to get back up again and keep going forward. I remember once before an intercollegiate tournament, I slipped on some ice and slashed my right (foil grip) hand.  But I went to the event and overcame the pain by concentrating that much more on each bout. I remember it was a very successful competition for me and our team.  


images are from pixabay.com

So again then, What Is YOUR Calling? How does it define you and bring Strengths and happiness to your life every day? Please use this as a contemplation and journaling tool.


I invite YOUR Comments and STORY!

The Road to Sadhana


The poem I shared last Tuesday I composed in 1978 while on a very memorable road trip across country by bus from Buffalo to Tempe, Arizona. I was traveling with a friend, Grace, to check out Arizona as I would be attending college there the next year. It was a very eventful trip on so many levels. The Greyhound bus broke down in Effingham, Illinois, and about half of us stayed on until Flagstaff, Arizona, where we were rerouted on a Trailways bus through what was one of my and Grace’s primary spiritual destinations anyway: Sedona.


All through the bus trip, especially after the breakdown and even moreso after an encounter with apparently a murderous pair hightailing it out of Albuquerque (I’ll tell that in a bit), I composed a trip length poetic account of the journey. Part of the coda verse I still recall for the epic poem was:

On the Road to Sedona,

Where all is Sadhana…

Sadhana is an Eastern term designating a state of spiritual enlightenment; a state of calm one achieves from centering deeply.  As our theme this month is the similar or related experience of apotheosis, it feels right for me to revisit this adventure, now 39 years later.


So the murderer, even more than the breakdown of the bus and rerouting through Sedona, sparked a major change of consciousness for me.  Grace and I were at a bus stop in Albuquerque where Grace met a police woman. She told Grace she was on the lookout for a murderer and his accomplice trying to get away from New Mexico.  Our bus left there at midnight, the last bus for the night. Two men, one recently bald, paid the bus driver directly when he got onto the bus instead of paying as was normal at the ticket booths. Grace and I were sitting second row from the front of the bus to avoid cigarette smoke. The tall, bald man, wearing a serape with a metallic bulge in the pocket which he arranged over the seat to be positioned so the bulge was just behind his head, sat in the front row, with his partner sitting catty-corner behind us across the aisle (carrying only a wrinkled, paper bag). The Bald One, who resembled Lurch from the Addams family to me, pulled out a cigarette (forbidden for the 1st three rows), stared ominously at the bus driver, and chortled: “Goodbye, New Mexico, forever!”

OK, so that sets the scene. My friend Grace immediately figures this is the murderer the police woman is after, so she leaves the bus to tell the woman about him. She returns, telling me the police woman acted frightened to know the men might already be on the bus and asked Grace to be careful and not stir up trouble. So, I got off and told her what I had seen re. the money exchange with the driver. She acted concerned but frightened and told me to get back onto the bus and also to not cause waves.


The bus wound slowly through the night from Albuquerque to Flagstaff, a very long night for me as I was on high alert. I whispered our suspicions to the woman behind me, Terry, who had been instrumental in getting our passengers to stay after the breakdown and to be rerouted through Sedona so that some of the rest could go directly to LA. Terry was traveling with her grandmother. She started a phone chain whisper throughout the bus, notifying everyone of the possibility we had a murderer aboard. Unfortunately, this whisper also reached the Accomplice across the aisle, who suddenly started coughing and rattling his brown bag to get the attention of the Bald One.


At a roadside stop in Holbrook, Grace and Terry and her grandmother and I sat huddled together at a diner. The Accomplice shadowed us, being sure to sit within earshot. The Bald One never came into the diner at all, pacing outside and at one point pressing his face and nose up against the window glass to stare in at us.

When we reboarded, the bus driver shot me a frightened glance, as if to say again, ‘Don’t cause waves!’

So, back on the bus for the next few hours I entered into a deep contemplation, the deepest of my life til then. I sang a mantra, HU, which is a sacred name for God known to many religions. I chanted and went into a deep state of repose where I encountered spiritual Masters and agencies giving me instructions on how to be a channel for calm and Light in this situation, to prevent a major catastrophe involving all the passengers.


Then something really weird occurred on the bus. People who had thought the whispered suspicions were a hoax or funny started joking loudly about who the murderer was going to take to the back of the bus and shoot first! This was surreal to me. I sank deeper and deeper into my contemplation.

At dawn, as we were approaching Flagstaff and the beautiful desert and San Francisco Peaks there, I came out from the contemplation, truly altered. I felt a calm as I had not known before. As I looked out at the desert and the Mountain, I said to Terry and Grace:

“People think that the Desert is barren and dead;

It is not: It is teeming with Life!”


At this statement from me, Bald Lurch turned his head slowly to stare me down.

“So, how do you feel about YOUR life?” he cooed ominously.

Now, you might think my response would be fearful, but no. Because of the alteration in consciousness I had enjoyed in the deep contemplation, I actually was feeling quite elated. I looked back at him, eye to eye, and smiled broadly:

“How are You!?” were the words that came out of my mouth.

The Bald One merely grunted in disgust and turned his head back to set upon that metallic bulge.

We reached Flagstaff, alive.  The Bald One and the Accomplice were the first to rise from their seats and head for the door. Once again, Lurch uttered mysteriously:

“Goodbye, New Mexico, forever!”

That was the last any of us saw of these two men, now across the border in Arizona.

After a few hours those of us going on to Phoenix boarded the Trailways bus that would take us through Sedona, known to Grace and myself as a very spiritually charged area as our spiritual group had land there at the time.  This part of the journey was like a pilgrimage for us.


As we rounded the bend from Flagstaff down into the majestic Oak Creek Canyon, the bus stopped at a rest area. I walked across the field and stepped down a bit from the  cliff edge to sit and be immersed in the Canyon overview. It was like an Eagle’s Nest, and I have returned many times since. That is where The Canyon poem emerged:

It is drawing me into Its depths;

It will contain me;

Yet in that instant It shall free me,

Until IS-ness dissolves beyond


Where Just Isness IS.

We reboarded the bus and headed on down the canyon into the red rock splendor of Sedona. At the bottom we got out for a food stop.

“It’s like love,” Terry said.

“It can never be contained,” I responded.


images are from pixabay.com

Other than those words, language failed me. I could not speak, identifying one mountain or person or bus or tree; all was an absolute Unity. This utter silence stayed with me until we reached Phoenix. I would later remember it as a brief glimpse of cosmic consciousness, experienced on the Road to Sadhana.

* * * * * *  

This will be the final September post, as I have nothing more to say now on the topic!

I welcome your Comments and Stories!

Weekly Topic: Fictional Better Endings


This week, our topic is “fictional better endings”. This does not necessarily mean happy endings, of course. What, to you, might constitute a ‘better’ ending in fiction, or in a particular fictional story?

I find it harder to tamper with fiction than with films; somehow the endings of at least well written fiction feel right to the characters and plot development, as Rebekah pointed out in last week’s Guest Blog. I deeply value transformational story structure, in which the key protagonists–and usually to some extent the antagonists as well–undergo dramatic, if subtle, shifts in consciousness from facing and surviving (or, not) enormous internal and external challenges.

Writing daily blog posts on Better Endings has helped me to recognize synchronicity and serendipity around our weekly themes. Two days ago I happened upon Stranger than Fiction on TV. Could any story line be more appropriate to our topic this week of fictional better endings? Will Ferrell plays an IRS tax man, Harold Crick, a living fictional protagonist who becomes aware he is a character in the unfinished novel of Karen Eiffel (Emma Thompson), an author who “only writes tragedies”. Harold seeks out Professor Jules Hilbert (Dustin Hoffman) to help him figure out what sort of novel he is in. There is beautiful, parable-esque story telling here. Our character must examine his life and improve his relationships–e.g. with the enigmatically charming Ana Pascal (Maggie Gyllenhaal), a feisty baker whom Harold is auditing–to determine whether his own, very routinized life is worth saving. The ending twist–I won’t spoil it for you; this is a must see film!–offers a poetic statement about a transformational story structure that ironically bends reality back upon fiction, altering the author of the story herself!

Is there a fictional story ending whose ending you love? What makes it such a fitting conclusion? Alternately, is there a work of fiction (of any genre) which you would love to re-vision with a meaningful twist of fate or consequence? This week I give you carte blanche to play with fiction. No ending is indelibly chiseled in stone.

Please send your Comments about Fictional Better Endings and you can submit your stories for consideration as Story of the WeekPlease Follow to receive our Better Endings posts daily by email, and invite your Friends to join in the conversation! This is a site where writers can practice weekly prompts, and where everyone and anyone can flex your creativity. While on the surface we are applying Better Endings to fiction or to the weekly topic generally, underneath this is a self-help, personal growth and development practice which will deepen over time as we progress. I believe that as we practice applying this principle of Better Endings, our own character arcs may also come to manifest a transformational story. 

Better Endings to you! – Linda